"The Picture of Dorian Gray" by Oscar Widle and "The Love Song of Alfred Prufrock" by T.S. Elliot.
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Aestheticism figures prominently in both The Picture of Dorian Gray and The Love Song of J. Alfred Prufrock; each work, however, has a specific paradigm: Dorian Gray has aestheticism as the subjective merit of beauty independent of its reality, whereas Prufrock has aestheticism as a sordid quality, all too present within modern culture. The drawing rooms of Prufrock are listless, full of desultory imagery; while in Dorian Gray they are alive: the idle bandying of public art and popular philosophy becomes vivid, a vehicle for wit.
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