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Publicēts: 04.09.2005.
Valoda: Angļu
Līmenis: Vidusskolas
Literatūras saraksts: Nav
Atsauces: Nav
  • Eseja 'Ancient Greek Sculpture', 1.
  • Eseja 'Ancient Greek Sculpture', 2.
  • Eseja 'Ancient Greek Sculpture', 3.
  • Eseja 'Ancient Greek Sculpture', 4.
Darba fragmentsAizvērt

The 'Golden Age' of Ancient Greece (referred to as the Classical Period) was the zenith of one of the most academic and prosperous civilisations of antiquity, all areas of humanistic pursuit thrived and excelled such as art, philosophy, literature, politics, theatre and technology. Art in particular became renowned for naturalistic interpretations of human form and through the masters of sculpture the legacy of Greece was assured. The emergence of this technical mastery grew out of what is known as the Archaic Period, and after reaching the climax of the Classical era greek culture disseminated during the Hellenistic Period. The Greeks perfected sculpture in all the main mediums of gold, ivory, wood, stone, terracotta, bronze and marble and the main forms of 'In the round', low relief and high relief [source: A History of Greek Art by F.B.Tarbell]. Sculptors depicted human-like gods or godlike humans often in the with the perfection embodied by Athletes of the Olympic Games. The highest degree of control in technique captured an astounding realism, the most illustrious of all sculptors lived in the 'Golden Age' and those perceived to be the greatest include Myron of Athens, the well renowned Pheidias of Athens, Polykleitos of Argos, Praxiteles of Athens, Scopas of Paros and Lysippus of Sicyon [stated by F.B.Tarbell]. However what we know of artists and artworks are limited, no period of an art style ends suddenly at a specific date rather each flows from one to the other. …

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