Vērtējums:
Publicēts: 31.01.2005.
Valoda: Angļu
Līmenis: Vidusskolas
Literatūras saraksts: Nav
Atsauces: Nav
  • Eseja 'The Use of Innocence in Literature Is never Innocent', 1.
  • Eseja 'The Use of Innocence in Literature Is never Innocent', 2.
  • Eseja 'The Use of Innocence in Literature Is never Innocent', 3.
  • Eseja 'The Use of Innocence in Literature Is never Innocent', 4.
  • Eseja 'The Use of Innocence in Literature Is never Innocent', 5.
Darba fragmentsAizvērt

The innocent child has been a long-standing literary figure, used throughout the centuries and cultures by authors such as Dickens, keen to explore the subtleties and paradoxes of children. The latter-part of the twentieth century, however, has been especially rich in novels which give innocence a central role within the plot and the writing. In a society increasingly concerned with nurturing and protecting children, recognising their rights and their ability to express their thoughts and feelings, some authors have developed a fascination and a respect for children which is quite new in the world of literature. Whilst "Oliver Twist" may have struck a chord with nineteenth century readers, and resulted in an increase in the concern for the poor children of London, there is little true analysis of the deeper psychology of the child. This, however, cannot be said of the works of two female Indian authors, Arundhati Roy and Anita Desai, who in their respective novels "The god of small things", and "Clear light of day" have explored with depth and novelty the child, and hence the theme of innocence. It is their use of innocence in their novels, and the impact that this has over their style, as well as over the social, political and psychological aspects of their novels which I intend to study.…

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