Modern drama in the late twentieth century consisted of shingeki (experimental Western-style theater), which employed naturalistic acting and contemporary themes in contrast to the stylized conventions of Kabuki and No. In the postwar period, there was a phenomenal growth in creative new dramatic works, which introduced fresh aesthetic concepts that revolutionized the orthodox modern theater. Challenging the realistic, psychological drama focused on "tragic historical progress" of the Westernderived shingeki, young playwrights broke with such accepted tenets as conventional stage space, pl…
