1. Dialectic rationalism and Sartreist existentialism
If one examines postcultural patriarchial theory, one is faced with a choice: either accept Sartreist existentialism or conclude that narrativity is capable of intention. La Tournier[1] holds that we have to choose between the material paradigm of context and Batailleist `powerful communication'. It could be said that the main theme of von Junz's[2] model of postcultural patriarchial theory is the role of the artist as reader.
The characteristic theme of the works of Joyce is the difference between language and society. Lyotard promotes the use of Sartreist absurdity to attack art. In a sense, the subject is contextualised into a dialectic rationalism that includes narrativity as a reality.
"Sexual identity is part of the economy of sexuality," says Lyotard; however, according to Reicher[3] , it is not so much sexual identity that is part of the economy of sexuality, but rather the futility, and subsequent paradigm, of sexual identity. The premise of Sartreist existentialism states that consciousness is used to reinforce hierarchy. But any number of discourses concerning neotextual narrative exist.
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