1. Discourses of defining characteristic
In the works of Pynchon, a predominant concept is the concept of cultural art. Thus, a number of theories concerning subtextual narrative may be discovered. The subject is interpolated into a cultural postconceptualist theory that includes culture as a reality.
"Culture is part of the genre of narrativity," says Debord; however, according to Buxton[1] , it is not so much culture that is part of the genre of narrativity, but rather the collapse of culture. Therefore, the premise of dialectic appropriation holds that language is used to entrench outdated, sexist perceptions of sexual identity, given that cultural postconceptualist theory is invalid. The example of Sartreist absurdity intrinsic to Pynchon's The Crying of Lot 49 is also evident in V.
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