Playing the viola allows my emotions to weave their way into my music. Shaping a discordant sound into expressive music has been a lengthy, laborious, but ultimately rewarding process.
I was switched from violin to viola by Melba Sandberg, a brusque, no-nonsense conductor at the New England Conservatory. During my violin seating audition, in what I thought was polite conversation, she remarked that my hands were large enough to play viola; had I ever thought of doing so? I replied that I hadn't, smiled, and played my piece. The following Saturday, nervous but excited, I brought my violin…
